Having now firmly placed the Cajun Culture in our mental framework we moved on to ‘Mark Savoy’s (pronounced Savoy) Music Shop. Here he makes accordions for the Cajun musical elite. We had hoped to meet him, however he was away on business at the time, so we spoke to his wife.
Like many other colonising cultures, the Acadien’s brought their French music and dance with them. (it was cheap, didn’t need books and is an excellent way to help keep an extended family together and sane). Originally the instruments were home made and consisted of fiddle, iron triangle (le Tit Fer- you work it out), spoons and washboard. The accordione (I know nothing of the niceties of squeeze boxes) was introduced from Germany in the 1850’s (New Orleans was a big port). The standard German accordion was a small, diatonic (different note sucking and blowing), single row button accordion with 4 voices, with only two bass voices on the left hand. This provides music in a single key. C and G are the favourite, although many players will have several, often to suit their voice. I have seen/heard C# and D.
The characteristic Cajun Sound is created by an interplay of accordion rhythm and the rhythm provided by the rest of the band.
I classify Cajun music as being a music form which has come about to support dancing. Almost everywhere that Cajun Music is played you will find dancers. Most of the dancing seems to be couple based and much of it looks like it has come out of the huge explosion of dance forms that were created post world war I, with the advent of dance halls. Two step, waltz, lindy hop have all been taken, but modified to suit the driving rhythm of Cajun music.
